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<entry><title>Contemplating the Erectile Tissue Found in Nasal Passages (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/suburbancactus/writeups/Contemplating+the+Erectile+Tissue+Found+in+Nasal+Passages"/><id>http://everything2.com/user/suburbancactus/writeups/Contemplating+the+Erectile+Tissue+Found+in+Nasal+Passages</id><author><name>suburbancactus</name><uri>http://everything2.com/user/suburbancactus</uri></author><published>2009-11-24T08:31:29Z</published><updated>2009-11-24T08:31:29Z</updated>
<content type="html">&lt;p&gt;Lying in bed, unable to sleep, my boyfriend told me I looked concerned.  I wasn't upset at all; I was merely thinking about the cold I'd recently contracted.  So I explained my thoughts:&lt;/p&gt;

&lt;p&gt;When you have a &lt;a href=&quot;/title/stuffy+nose&quot;&gt;stuffy nose&lt;/a&gt;, it's more than just a bunch of snot clogging the airway.  Our nasal passages actually contain &lt;a href=&quot;/title/erectile+tissue&quot;&gt;erectile tissue&lt;/a&gt; (yes, similar to that found in a penis).  It makes sense - the secretion of mucous stimulates the tissues in your nose and they swell up.  But it's so annoying to have a stuffed up nose.  It makes your voice sound funny, it makes it hard to fall asleep, and it's a constant reminder that you're not well.  So how to relieve it?&lt;br&gt;Well, considering that a primary factor is the tissue that's &quot;erect&quot; (my sister and I enjoy announcing that our noses have boners when we're sick), perhaps something that makes it difficult for a guy to get hard would also relieve a stuffy nose.  I'm not talking psychologically of course - purely physical here.  Thinking of&amp;hellip;</content>
</entry><entry><title>Makybe Diva (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/tentative/writeups/Makybe+Diva"/><id>http://everything2.com/user/tentative/writeups/Makybe+Diva</id><author><name>tentative</name><uri>http://everything2.com/user/tentative</uri></author><published>2009-11-24T05:29:09Z</published><updated>2009-11-24T05:29:09Z</updated>
<content type="html">&lt;p&gt;
Few horses gain great fame. &lt;a href=&quot;/title/Bucephalus&quot;&gt;Bucephalus&lt;/a&gt; may be the most famous simply due to the great length of time stories of him and &lt;a href=&quot;/title/Alexander+the+Great&quot;&gt;Alexander the Great&lt;/a&gt; have lasted. There is, of course, the horse named &lt;a href=&quot;/title/Incitatus&quot;&gt;Incitatus&lt;/a&gt; who was treated with the care and kindness of a royal, and was at one point considered by the current Roman Emperor, &lt;a href=&quot;/title/Caligula&quot;&gt;Caligula&lt;/a&gt;, to be made a consul. 
&lt;/p&gt;
&lt;p&gt;
As we time moves on, we have &lt;a href=&quot;/title/Black+Beauty&quot;&gt;Black Beauty&lt;/a&gt;, who, though fictional, is very well known. During the 30s there were such horses as &lt;a href=&quot;/title/Seabiscuit&quot;&gt;Seabiscuit&lt;/a&gt; and &lt;a href=&quot;/title/War+Admiral&quot;&gt;War Admiral&lt;/a&gt; in North America, and &lt;a href=&quot;/title/Phar+Lap&quot;&gt;Phar Lap&lt;/a&gt; for Australia during the 20s. All these horses have one thing in common: they're all male. Though that isn't the main difference between Makybe Diva and these others I've named. None of these horses won the same prestigious &quot;Race that Stops a Nation&quot; three times in a row. 
&lt;/p&gt;
&lt;p&gt;
Only five horses have ever won the &lt;a href=&quot;/title/Melbourne+Cup&quot;&gt;Melbourne Cup&lt;/a&gt; more than once, and only fourteen mares have ever claimed the title. 
&lt;/p&gt;
&lt;p&gt;
As happens with many of Australia's&amp;hellip;</content>
</entry><entry><title>Gish Gallop (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/Gish+Gallop"/><id>http://everything2.com/user/rootbeer277/writeups/Gish+Gallop</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-24T04:41:46Z</published><updated>2009-11-24T04:41:46Z</updated>
<content type="html">&lt;p&gt;The Gish Gallop is a &lt;a href=&quot;/title/debate&quot;&gt;debate&lt;/a&gt; tactic named after &lt;a href=&quot;/title/creationism&quot;&gt;creationist&lt;/a&gt; &lt;a href=&quot;/title/Duane+Gish&quot;&gt;Duane Gish&lt;/a&gt;, who has a reputation for &lt;a href=&quot;/title/Debating+with+a+conspiracy+theorist&quot;&gt;performing this technique in open debates&lt;/a&gt;.  The Gish Gallop involves throwing so many lies, half-truths, misconceptions, and &lt;a href=&quot;/title/straw+man&quot;&gt;straw man&lt;/a&gt; arguments at one's opponent that he cannot possibly address all of them.  The Gish Gallop works very well in open debates, but fails spectacularly in &lt;a href=&quot;/title/interview&quot;&gt;interviews&lt;/a&gt;, where the interviewer is able to maintain control of the conversation.&lt;/p&gt;

&lt;p&gt;The reason the Gish Gallop works so well is because it is very quick and easy to make a statement, and very difficult to refute it, regardless of how inaccurate the statement is.  A creationist can say, for example, that we have never found evidence of life &lt;a href=&quot;/title/Spontaneous+generation&quot;&gt;spontaneously generating&lt;/a&gt; from non-life in jars of peanut butter.  The reasons why we don't, why it's not important, and why it doesn't even fall in the realm of evolutionary theory are lengthy&amp;hellip;</content>
</entry><entry><title>How do you know the fishes are enjoying themselves? (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/raincomplex/writeups/How+do+you+know+the+fishes+are+enjoying+themselves%253F"/><id>http://everything2.com/user/raincomplex/writeups/How+do+you+know+the+fishes+are+enjoying+themselves%253F</id><author><name>raincomplex</name><uri>http://everything2.com/user/raincomplex</uri></author><published>2009-11-24T04:25:11Z</published><updated>2009-11-24T04:25:11Z</updated>
<content type="html">&lt;p&gt;Often I see this lovely story reproduced. It goes &lt;a href=&quot;/title/oral+tradition&quot;&gt;something like this&lt;/a&gt;:&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Two monks walk beside a river. One turns to the other and says,&lt;/i&gt;&lt;br&gt;&lt;big&gt;See how the fish play! They are really enjoying themselves!&lt;/big&gt;&lt;br&gt;&lt;i&gt;The second monk replies,&lt;/i&gt; &lt;big&gt;You are not a fish!&lt;br&gt;How can you know that they are really enjoying themselves?&lt;/big&gt;&lt;br&gt;&lt;i&gt;And the first retorts,&lt;/i&gt; &lt;big&gt;You are not me!&lt;br&gt;How can you know that I do not know&lt;br&gt;that they are really enjoying themselves?&lt;/big&gt;&lt;/p&gt;

&lt;p&gt;And the narrative ends and I think to myself MY WHAT A LOVELY STORY&lt;/p&gt;

&lt;p&gt;ABOUT MONKS, WATER, FISH, PERCEPTION, AND REALITY. I GUESS&lt;br&gt;WE CAN'T REALLY EVER KNOW WHAT OTHER PEOPLE KNOW&lt;br&gt;BECAUSE WE AREn't them. It's true sort of!&lt;/p&gt;

&lt;p&gt;&lt;b&gt;The secret is that the story continues.&lt;/b&gt;&lt;/p&gt;

&lt;p&gt;In my &lt;a href=&quot;/title/Zhuangzi&quot;&gt;Zhuangzi&lt;/a&gt; &lt;i&gt;(Columbia University Press. Translated by Burton Watson.)&lt;/i&gt;&lt;br&gt;the second monk exclaims, &lt;i&gt;(and I am paraphrasing)&lt;/i&gt;&lt;br&gt;&lt;big&gt;Yeah! But you're no fish! You still can't&lt;/big&gt;&amp;hellip;</content>
</entry><entry><title>Drive: The Surprising Truth About What Motivates Us (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Tem42/writeups/Drive%253A+The+Surprising+Truth+About+What+Motivates+Us"/><id>http://everything2.com/user/Tem42/writeups/Drive%253A+The+Surprising+Truth+About+What+Motivates+Us</id><author><name>Tem42</name><uri>http://everything2.com/user/Tem42</uri></author><published>2009-11-24T01:22:26Z</published><updated>2009-11-24T01:22:26Z</updated>
<content type="html">&lt;p&gt;
&lt;b&gt;Author:&lt;/b&gt; &lt;a href=&quot;/title/Daniel+H.+Pink&quot;&gt;Daniel H. Pink&lt;/a&gt; &lt;br&gt;
&lt;b&gt;Published:&lt;/b&gt; &lt;a href=&quot;/title/Riverhead+Books&quot;&gt;Riverhead Books&lt;/a&gt;, December 2009  &lt;br&gt; 
&lt;b&gt;Genre:&lt;/b&gt; &lt;a href=&quot;/title/Psychology&quot;&gt;Psychology&lt;/a&gt;, &lt;a href=&quot;/title/non-fiction&quot;&gt;non-fiction&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;i&gt;A note: This book has not been released yet. It is well-worth reading, and I hope you make a note to look it up in a month. &lt;/i&gt;&lt;/p&gt;

&lt;p&gt; Ever since 1949, when &lt;a href=&quot;/title/Harry+Harlow&quot;&gt;Harry Harlow&lt;/a&gt; found that monkeys worked harder at solving puzzles when they &lt;i&gt;weren't&lt;/i&gt; rewarded, we have known that that our &lt;a href=&quot;/title/common+sense&quot;&gt;common sense&lt;/a&gt; understanding of &lt;a href=&quot;/title/motivation&quot;&gt;motivation&lt;/a&gt; is not really adequate to explain animal behavior. As time went on, it became apparent that the same was true of &lt;a href=&quot;/title/human+behavior&quot;&gt;human behavior&lt;/a&gt;. Over the decades evidence has slowly mounted, showing that sometimes rewards don't make us work better, and sometimes they make us work worse. People take longer to solve problems when they are payed to do so than when they &lt;a href=&quot;/title/volunteer&quot;&gt;volunteer&lt;/a&gt;, artists paint less &lt;a href=&quot;/title/critically+acclaimed&quot;&gt;critically acclaimed&lt;/a&gt; paintings when they are payed commissions, and parents are less likely to pick up their children on time when&amp;hellip;</content>
</entry><entry><title>Somewhere Else (personal)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/O-Swirl/writeups/Somewhere+Else"/><id>http://everything2.com/user/O-Swirl/writeups/Somewhere+Else</id><author><name>O-Swirl</name><uri>http://everything2.com/user/O-Swirl</uri></author><published>2009-11-24T00:27:39Z</published><updated>2009-11-24T00:27:39Z</updated>
<content type="html">Even as I sit in my swivel chair finger-brushing my pencil skirt and shaking my round face &quot;no&quot;, it's going on. &lt;a href=&quot;/title/Happening&quot;&gt;Happening&lt;/a&gt;. Time is taking place. The chronology of the day, be it abhorrent or better, goes from one to two; &lt;a href=&quot;/title/Times+Change&quot;&gt; from pinky to thumb&lt;/a&gt;.
&lt;p&gt;
&lt;i&gt;The precipice of happening is always there. Darkness and falling and edges, same as always... beautiful, like a &lt;a href=&quot;/title/gravity+star&quot;&gt;gravity star&lt;/a&gt; or &lt;a href=&quot;/title/fusillade&quot;&gt;fusillade&lt;/a&gt;, Time &lt;a href=&quot;/title/swallow&quot;&gt; swallows&lt;/a&gt;. &lt;/i&gt;
&lt;p&gt;
It was me in &lt;a href=&quot;/title/winter&quot;&gt;winter&lt;/a&gt; just then, a spare moment before deadline to imagine happening elsewhere; other than where this pen of mine is clicking and the office staff mills with &lt;a href=&quot;/title/Lessons+on+life%252C+love+and+things+of+utter+importance&quot;&gt; notions of grave importance&lt;/a&gt;.
&lt;p&gt;
Sometimes I think up ways in which I'd like to be swallowed. Like now, &lt;a href=&quot;/title/No+one+can+be+in+two+places+at+once&quot;&gt; like as the pen clicks&lt;/a&gt;. 
&lt;p&gt;
&lt;i&gt;Somewhere near the &lt;a href=&quot;/title/equator&quot;&gt;equator&lt;/a&gt;, walking the line where beach and blue meet high tide. Peeling oranges in Fresno with the music at full blast. Naked beside you on a&lt;/i&gt;&amp;hellip;</content>
</entry><entry><title>Matt Kane Overleaps the Gorge of Death (fiction)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Jet-Poop/writeups/Matt+Kane+Overleaps+the+Gorge+of+Death"/><id>http://everything2.com/user/Jet-Poop/writeups/Matt+Kane+Overleaps+the+Gorge+of+Death</id><author><name>Jet-Poop</name><uri>http://everything2.com/user/Jet-Poop</uri></author><published>2009-11-23T22:36:31Z</published><updated>2009-11-23T22:36:31Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/Matt+Kane&quot;&gt;Matt Kane&lt;/a&gt; surveyed the scene around him with detached, &lt;a href=&quot;/title/I%2527m+calm%252C+I%2527m+cool%252C+I%2527m+collected%252C+I%2527m+a+professional&quot;&gt;clinical professionalism&lt;/a&gt;. It was one of the worst, most horrifying crime scenes he'd ever seen in his 20 years with the &lt;a href=&quot;/title/Alachua+County%252C+Florida&quot;&gt;Aluchua County Sheriff's Office&lt;/a&gt; (&lt;a href=&quot;/title/CSI%253A+Miami&quot;&gt;Crime Scene Investigation&lt;/a&gt; division). There were at least three bodies here, possibly more -- they'd need to DNA-match all the &lt;a href=&quot;/title/An+arm+here%252C+a+spleen+there%252C+and+pretty+soon%252C+it+all+adds+up+to+real+people&quot;&gt;scattered body parts&lt;/a&gt; before they'd be able to get an accurate &lt;a href=&quot;/title/body+count&quot;&gt;body count&lt;/a&gt;.

&lt;p&gt;&quot;Holy spit, Matt, I ain't seen nothing like this since &lt;a href=&quot;/title/Vietnam&quot;&gt;'Nam&lt;/a&gt;,&quot; said Sgt. &lt;a href=&quot;/title/Edwin+%2522Tex%2522+Abalone&quot;&gt;Edwin &quot;Tex&quot; Abalone&lt;/a&gt;. &quot;What kind of &lt;a href=&quot;/title/I+have+a+sick+mind.+I+like+to+hump+myself+against+shelled+clams+and+sing+Oasis+songs.&quot;&gt;sick mind&lt;/a&gt; could do this to people?&quot;

&lt;p&gt;&quot;&lt;a href=&quot;/title/I+have+a+sick+mind.+I+like+to+pleasure+myself+with+a+hockey+stick+while+gargling+with+pureed+baby.&quot;&gt;A very sick mind&lt;/a&gt;, Sgt. Abalone,&quot; said Matt, tucking his &lt;a href=&quot;/title/sunglasses&quot;&gt;sunglasses&lt;/a&gt; into his&amp;hellip;</content>
</entry><entry><title>Odearism (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/cerebro/writeups/Odearism"/><id>http://everything2.com/user/cerebro/writeups/Odearism</id><author><name>cerebro</name><uri>http://everything2.com/user/cerebro</uri></author><published>2009-11-23T22:32:11Z</published><updated>2009-11-23T22:32:11Z</updated>
<content type="html">&lt;p&gt;Odearism is a term coined by influential documentary film maker &lt;a href=&quot;/title/Adam+Curtis&quot;&gt;Adam Curtis&lt;/a&gt; to describe the way in which certain political situations (military conflicts and other social problems) breed a sense of &lt;a href=&quot;/title/political+apathy&quot;&gt;political apathy&lt;/a&gt; by the way they are described and represented in the media.&lt;/p&gt;

&lt;p&gt;The clip was shown on Charlie Brooker's Newswipe where it is explained with Curtis' usual clear, straightforward articulation.&lt;/p&gt;

&lt;p&gt;Essentially, it describes situations that become so complex with bad guys on both sides of any struggle to the extent that they can no longer be broadcast simply as political struggles with a clearly identified binary opposition between evil powerful dominant elite groups against the powerless and ultimately moral resistant forces. Where both victims and oppressors are both viewed as evil, traditional representations invented in the media are left redundant. Then we are exposed only to human beings cruelty towards each other. We can only feign sympathy with the response &quot;Oh dear&quot; as the only&amp;hellip;</content>
</entry><entry><title>Beating the market (how-to)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/filoraene/writeups/Beating+the+market"/><id>http://everything2.com/user/filoraene/writeups/Beating+the+market</id><author><name>filoraene</name><uri>http://everything2.com/user/filoraene</uri></author><published>2009-11-23T22:11:27Z</published><updated>2009-11-23T22:11:27Z</updated>
<content type="html">&lt;h3&gt; Introduction &lt;/h3&gt;
&lt;p&gt;&lt;/p&gt;
In &lt;a href=&quot;/title/investing&quot;&gt;investing&lt;/a&gt;, to beat the market is a kind of &lt;a href=&quot;/title/holy+grail&quot;&gt;holy grail&lt;/a&gt;. In this writeup, we 

will first see what we mean with &quot;beating the market&quot;. Then, the two most common 

strategies for beating the market are discussed. I will use &lt;a href=&quot;/title/stock&quot;&gt;stocks&lt;/a&gt; as an 

example, although the &lt;a href=&quot;/title/principle&quot;&gt;principle&lt;/a&gt; applies to other markets as well. Then, we will see 

how we can blend these strategies.
&lt;p&gt;&lt;/p&gt;
This writeup is meant as an &lt;a href=&quot;/title/informative&quot;&gt;informative&lt;/a&gt; piece. It is certainly not meant as 

investment &lt;a href=&quot;/title/advice&quot;&gt;advice&lt;/a&gt;. 
&lt;p&gt;&lt;/p&gt;
&lt;h3&gt;What is this market we are trying to beat?&lt;/h3&gt;
&lt;p&gt;&lt;/p&gt;
This is a very good question, with no real answer. If we restrict ourselves to 

&lt;a href=&quot;/title/stock&quot;&gt;stocks&lt;/a&gt;, one could argue that if we outperform the &lt;a href=&quot;/title/stock+index&quot;&gt;index&lt;/a&gt;, we 

have done well. If we restrict ourselves to investing in &lt;a href=&quot;/title/domestic&quot;&gt;domestic&lt;/a&gt; stocks, it makes 

sense to pick a &lt;a href=&quot;/title/domestic&quot;&gt;domestic&lt;/a&gt; index, such as the &lt;a href=&quot;/title/Xetra+DAX&quot;&gt;Xetra DAX&lt;/a&gt; for investments in Germany, 

the &lt;a href=&quot;/title/S%2526P+500&quot;&gt;S&amp;P 500&lt;/a&gt; in the USA (the Dow Jones is not a very good &lt;a href=&quot;/title/benchmark&quot;&gt;benchmark&lt;/a&gt;, as&amp;hellip;</content>
</entry><entry><title>lolcats (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/hapax/writeups/lolcats"/><id>http://everything2.com/user/hapax/writeups/lolcats</id><author><name>hapax</name><uri>http://everything2.com/user/hapax</uri></author><published>2009-11-23T21:29:51Z</published><updated>2009-11-23T21:29:51Z</updated>
<content type="html">Any picture of a cat can be captioned to create a &lt;a href=&quot;/title/lolcat&quot;&gt;lolcat&lt;/a&gt;, but certain lolcats have achieved legendary status and are instantly recognizable to anyone who has spent more than ten or fifteen minutes on the Internet.  The following cats have been made into &lt;a href=&quot;/title/meme&quot;&gt;meme&lt;/a&gt;s of their own, which I list below in roughly descending order of popularity.

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Ceiling+cat&quot;&gt;Ceiling cat&lt;/a&gt;.&lt;/b&gt;  A wide-eyed orange cat peeking through a hole in the ceiling, originally captioned with &quot;&lt;a href=&quot;/title/CEILING+CAT+IS+WATCHING+YOU+MASTURBATE&quot;&gt;CEILING CAT IS WATCHING YOU MASTURBATE&lt;/a&gt;,&quot; Ceiling Cat has achieved (literally) religious significance among dorks on the Internet.  Ceiling Cat represents &lt;a href=&quot;/title/omnipotence&quot;&gt;omnipotence&lt;/a&gt; and &lt;a href=&quot;/title/omniscience&quot;&gt;omniscience&lt;/a&gt;, his Godlike powers endlessly parodied and reimagined through &lt;a href=&quot;/title/Photoshop&quot;&gt;shoops&lt;/a&gt; and &lt;a href=&quot;/title/fanfiction&quot;&gt;fics&lt;/a&gt;.  There is a church of Ceiling Cat on &lt;a href=&quot;/title/Facebook&quot;&gt;Facebook&lt;/a&gt;, and he is the central character in the mostly unfunny &lt;a href=&quot;http://www.lolcatbible.com&quot;&gt;lolcat Bible&lt;/a&gt;.&lt;/li&gt;&lt;br&gt;

&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Longcat&quot;&gt;Longcat&lt;/a&gt;.&lt;/b&gt;  The &lt;a href=&quot;/title/locus+classicus&quot;&gt;locus classicus&lt;/a&gt; is a photo of a beautiful white cat named &lt;a href=&quot;/title/Nobiiru&quot;&gt;Nobiiru&lt;/a&gt; who is being&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>the art of poetry (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/cassparadox/writeups/the+art+of+poetry"/><id>http://everything2.com/user/cassparadox/writeups/the+art+of+poetry</id><author><name>cassparadox</name><uri>http://everything2.com/user/cassparadox</uri></author><published>2009-11-23T19:59:59Z</published><updated>2009-11-23T19:59:59Z</updated>
<content type="html">&lt;p&gt;Sing, &lt;a href=&quot;/title/Noders%2527+poetry&quot;&gt;sister&lt;/a&gt;, though you are offkey,&lt;br&gt;Of a thousand knights and evenings cold.&lt;br&gt;Beneath the moon, beneath the sky,&lt;br&gt;Setting mutts to &lt;a href=&quot;/title/downvote&quot;&gt;howl&lt;/a&gt; and birds to fly.&lt;/p&gt;

&lt;p&gt;Above the trees, they echo harshly,&lt;br&gt;Drowning out the &lt;a href=&quot;/title/bad+poetry&quot;&gt;poet's dirge&lt;/a&gt;.&lt;br&gt;Between the branches, black and fickle,&lt;br&gt;On the wing and shedding feathers.&lt;/p&gt;

&lt;p&gt;Stopper lips and &lt;a href=&quot;/title/no+more+stupid%252C+i+am+full&quot;&gt;cease the wailing&lt;/a&gt;,&lt;br&gt;Eke out your art in tears and edits.&lt;br&gt;Art unwon by &lt;a href=&quot;/title/Someone+call+the+waaaambulance&quot;&gt;callow weepings&lt;/a&gt;,&lt;br&gt;Sharpen knife and &lt;a href=&quot;/title/edit+that+shit&quot;&gt;sew the heartstrings&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Butcher words and &lt;a href=&quot;/title/it+sucked+anyway&quot;&gt;mangle verses&lt;/a&gt;,&lt;br&gt;Cut out whole meat from starving corpses.&lt;br&gt;With what remains, &lt;a href=&quot;/title/try%252C+try+again&quot;&gt;feed growing flowers&lt;/a&gt;,&lt;br&gt;And walk from field with dredged reminders.&lt;/p&gt;</content>
</entry><entry><title>how we treat each other (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/visaisahero/writeups/how+we+treat+each+other"/><id>http://everything2.com/user/visaisahero/writeups/how+we+treat+each+other</id><author><name>visaisahero</name><uri>http://everything2.com/user/visaisahero</uri></author><published>2009-11-23T18:40:14Z</published><updated>2009-11-23T18:40:14Z</updated>
<content type="html">&lt;p&gt;I want to talk about how we treat each other. Do you remember when we were &lt;a href=&quot;/title/kids&quot;&gt;kids&lt;/a&gt; in primary school, when &lt;a href=&quot;/title/friendship&quot;&gt;friendship&lt;/a&gt; was real and true? Sure we might have liked some people better than others, but it was all simple and good. We treated friends well, and close friends even better. The unwritten rules were crystal clear. Those were &lt;a href=&quot;/title/happy&quot;&gt;happy&lt;/a&gt;, care-free times.&lt;/p&gt;

&lt;p&gt;Don't you think things have changed now that we've grown up? How have they changed? Are you more &lt;a href=&quot;/title/comfortable&quot;&gt;comfortable&lt;/a&gt; with your relationships with the world around you today? Personally, I'm not, and here's my theory as to why.&lt;/p&gt;

&lt;p&gt;A lot of people these days are &lt;a href=&quot;/title/hypocrites&quot;&gt;hypocrites&lt;/a&gt; in the way they treat others and expect to be treated, and I think this is very common among the &quot;&lt;a href=&quot;/title/educated&quot;&gt;educated&lt;/a&gt;/&lt;a href=&quot;/title/affluent&quot;&gt;affluent&lt;/a&gt;&quot; type who grew up being able to get away with it. While it seems personally advantageous because you get the &quot;better end of the deal&quot;, this is literally double-standards on &lt;a href=&quot;/title/integrity&quot;&gt;integrity&lt;/a&gt;, and the realization of compromised integrity can make one uncomfortable&amp;hellip;</content>
</entry><entry><title>the lake around which are a thousand tiny fires (log)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ushdfgakjasgh/writeups/the+lake+around+which+are+a+thousand+tiny+fires"/><id>http://everything2.com/user/ushdfgakjasgh/writeups/the+lake+around+which+are+a+thousand+tiny+fires</id><author><name>ushdfgakjasgh</name><uri>http://everything2.com/user/ushdfgakjasgh</uri></author><published>2009-11-23T18:29:36Z</published><updated>2009-11-23T18:29:36Z</updated>
<content type="html">&lt;p&gt;around the lake, ex&lt;a href=&quot;/title/artifacts+from+the+boneyard&quot;&gt;pla&lt;/a&gt;ining
&lt;br&gt;midnight and two o'clock almost is
&lt;br&gt;here, then the &lt;a href=&quot;/title/evening+constitutional&quot;&gt;sky s&lt;/a&gt;hifted like
&lt;br&gt;a grate and soon stars fell and
&lt;br&gt;are elucidating and hiding
&lt;br&gt;behind the trees, she then
&lt;br&gt;raising a finger behind 
&lt;br&gt;her and beckoning.  In the
&lt;br&gt;iris they are 
&lt;br&gt;circum&lt;a href=&quot;/title/The+Pursuit+of+Happiness&quot;&gt;navi&lt;/a&gt;gating and why
&lt;br&gt;I would be cautious, weave around
&lt;br&gt;&lt;a href=&quot;/title/The+Vortex%252C+or+the+authoritarian+Singularity&quot;&gt;the&lt;/a&gt; pupil and then we
&lt;br&gt;went skinny-dipping&lt;/p&gt;</content>
</entry><entry><title>words (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/visaisahero/writeups/words"/><id>http://everything2.com/user/visaisahero/writeups/words</id><author><name>visaisahero</name><uri>http://everything2.com/user/visaisahero</uri></author><published>2009-11-23T18:28:32Z</published><updated>2009-11-23T18:28:32Z</updated>
<content type="html">&lt;p&gt;This is going to sound a little unusual coming from me, but lately I've felt that my &lt;a href=&quot;/title/vocabulary&quot;&gt;vocabulary&lt;/a&gt; is rather limited. I came to realise this over the past two months or so, as I've begun to read more books again. I used to be an extensive &lt;a href=&quot;/title/reader&quot;&gt;reader&lt;/a&gt; as a &lt;a href=&quot;/title/child&quot;&gt;child&lt;/a&gt; and I've always been very &lt;a href=&quot;/title/expressive&quot;&gt;expressive&lt;/a&gt; with my &lt;a href=&quot;/title/thoughts&quot;&gt;thoughts&lt;/a&gt;, but I've also always limited myself to the bare &lt;a href=&quot;/title/minimum&quot;&gt;minimum&lt;/a&gt; when it comes to words. I strongly &lt;a href=&quot;/title/believe&quot;&gt;believe&lt;/a&gt; in a simple, minimalistic approach when it comes to communication. Any additional embellishment is unnecessary and only serves to cloud your message and confuse your audience. For the longest time, I was absolutely content with my level of expression and understanding.&lt;/p&gt;

&lt;p&gt;Lately though, I've come to realise that there are actually quite a lot of words that I am uncertain about. I've reached the stage where sometimes I quite literally don't have the words I need to properly express myself. I've always pondered, ever since one of my enlightening KI classes, about the &lt;a href=&quot;/title/relationship&quot;&gt;relationship&lt;/a&gt;&amp;hellip;</content>
</entry><entry><title>soulmate (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/visaisahero/writeups/soulmate"/><id>http://everything2.com/user/visaisahero/writeups/soulmate</id><author><name>visaisahero</name><uri>http://everything2.com/user/visaisahero</uri></author><published>2009-11-23T18:12:06Z</published><updated>2009-11-23T18:12:06Z</updated>
<content type="html">What is a &lt;a href=&quot;/title/soulmate&quot;&gt;soulmate&lt;/a&gt;? If you believe that there is someone out there who has a &lt;a href=&quot;/title/divine&quot;&gt;divine&lt;/a&gt; &lt;a href=&quot;/title/predisposition&quot;&gt;predisposition&lt;/a&gt; to being the &quot;perfect partner&quot; for you... No. The odds are ridiculously against that. There are 6 billion people in the world. If you only have one soulmate in the world, the odds of me being your soulmate is 1/6,000,000,000. It is highly likely that your soulmate might have just died in a landslide, tsunami, earthquake or flood in the past week without you ever having met him or her. 
&lt;p&gt;
Assuming that in your &lt;a href=&quot;/title/lifetime&quot;&gt;lifetime&lt;/a&gt;, you get to know about than 3,000 people personally (which is a very generous estimate) your chance of ever meeting your soulmate is 1/2,000,000. (To put things in perspective, the &lt;a href=&quot;/title/chance&quot;&gt;chance&lt;/a&gt; of you winning 4D is 1/10,000) If you're Singaporean, the chance of you meeting your soulmate in Singapore is 1/1200, assuming you don't mind your soulmate possibly being of the same sex, of a different race and religion, and of any imaginable age gap.
&lt;p&gt;
What am I trying to say here? The idea of&amp;hellip;</content>
</entry><entry><title>double standards (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/visaisahero/writeups/double+standards"/><id>http://everything2.com/user/visaisahero/writeups/double+standards</id><author><name>visaisahero</name><uri>http://everything2.com/user/visaisahero</uri></author><published>2009-11-23T17:58:48Z</published><updated>2009-11-23T17:58:48Z</updated>
<content type="html">&lt;p&gt;When I got together with my &lt;a href=&quot;/title/girlfriend&quot;&gt;girlfriend&lt;/a&gt; when we were 13 years old, people used to ask us if we &lt;a href=&quot;/title/kissed&quot;&gt;kissed&lt;/a&gt; or made out, and be horrified when we said yes. Many thought we were immoral- succumbing to &lt;a href=&quot;/title/adolescent+lust&quot;&gt;adolescent lust&lt;/a&gt; and &lt;a href=&quot;/title/idealistic+fantasies&quot;&gt;idealistic fantasies&lt;/a&gt; about what love was. I would face this moralistic antagonism throughout my teenage years.
&lt;/p&gt;
&lt;p&gt;
Initially, I lived with it. I figured that perhaps they were right, and I was simply too liberal to be comfortably integrated into a &lt;a href=&quot;/title/conservative&quot;&gt;conservative&lt;/a&gt; society. Back then, I actually thought that our generation must have been unusually conservative! Obviously, I was wrong. Many of my friends who were so scandalized at my young relationship would later start clubbing before they were old enough to, indulge in &lt;a href=&quot;/title/underage+sex&quot;&gt;underage sex&lt;/a&gt;, &lt;a href=&quot;/title/smoking&quot;&gt;smoking&lt;/a&gt;, &lt;a href=&quot;/title/drinking&quot;&gt;drinking&lt;/a&gt;, &lt;a href=&quot;/title/tattoos&quot;&gt;tattoos&lt;/a&gt;, &lt;a href=&quot;/title/piercings&quot;&gt;piercings&lt;/a&gt;, &lt;a href=&quot;/title/drug+abuse&quot;&gt;drug abuse&lt;/a&gt;- you name it, and I can name someone younger than me who's done it.
&lt;/p&gt;
&lt;p&gt;
I'm not saying that it's a bad thing. If you want to get yourself wasted and wake up every weekend with a&amp;hellip;</content>
</entry><entry><title>Banana proof of the existence of God (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/Banana+proof+of+the+existence+of+God"/><id>http://everything2.com/user/rootbeer277/writeups/Banana+proof+of+the+existence+of+God</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-23T17:52:30Z</published><updated>2009-11-23T17:52:30Z</updated>
<content type="html">&lt;p&gt;In 2006, &lt;a href=&quot;/title/Christian&quot;&gt;Christian&lt;/a&gt; activist &lt;a href=&quot;/title/Kirk+Cameron&quot;&gt;Kirk Cameron&lt;/a&gt; starred in a propaganda video which includes, in part, a one-minute segment with &lt;a href=&quot;/title/Ray+Comfort&quot;&gt;Ray Comfort&lt;/a&gt; on how the &lt;a href=&quot;/title/banana&quot;&gt;banana&lt;/a&gt; is proof of God's existence.  Calling the sweet, yellow fruit the &lt;a href=&quot;/title/atheist&quot;&gt;atheist's&lt;/a&gt; nightmare, Ray Comfort rattled off a list of the banana's unique features that prove it must have been &lt;a href=&quot;/title/Intelligent+design+theory&quot;&gt;intelligently designed&lt;/a&gt; to make it convenient to eat.&lt;/p&gt;

&lt;p&gt;These features include a comfortable shape, non-slip grip outer peel (the inner side of the peel famously being a different story), convenient opening tab, and &quot;perforations&quot;, which I can only assume refers to the 5 ridges along which the banana naturally peels, since bananas certainly do not have actual perforations.  And of course the color of the peel is a natural indicator of its &lt;a href=&quot;/title/ripe&quot;&gt;ripeness&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Oddly, Mr. Comfort &lt;a href=&quot;/title/How+to+eat+a+banana+like+a+chimp&quot;&gt;opens the banana from the wrong end&lt;/a&gt;.  Since bananas ripen from the other side, the stem is only a convenient opening&amp;hellip;</content>
</entry><entry><title>The Pursuit of Happiness (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/lizardinlaw/writeups/The+Pursuit+of+Happiness"/><id>http://everything2.com/user/lizardinlaw/writeups/The+Pursuit+of+Happiness</id><author><name>lizardinlaw</name><uri>http://everything2.com/user/lizardinlaw</uri></author><published>2009-11-23T17:30:55Z</published><updated>2009-11-23T17:30:55Z</updated>
<content type="html">&lt;p&gt;My advice for &lt;a href=&quot;/title/the+pursuit+of+happiness&quot;&gt;the pursuit of happiness&lt;/a&gt;:&lt;/p&gt;

&lt;p&gt;Don't.&lt;/p&gt;

&lt;p&gt;You aren't going to &lt;a href=&quot;/title/listen&quot;&gt;listen&lt;/a&gt;, are you? It is your RIGHT to pursue happiness. You have it all &lt;a href=&quot;/title/plan&quot;&gt;planned out&lt;/a&gt;. As soon as you &lt;a href=&quot;/title/finish&quot;&gt;finish&lt;/a&gt; your &lt;a href=&quot;/title/degree&quot;&gt;degree&lt;/a&gt;, get that &lt;a href=&quot;/title/job&quot;&gt;job&lt;/a&gt;, can afford the house with the &lt;a href=&quot;/title/halfway+house+for+my+name+first&quot;&gt;picket fence&lt;/a&gt;, can afford more &lt;a href=&quot;/title/drug&quot;&gt;drugs&lt;/a&gt;, get the big screen &lt;a href=&quot;/title/tv&quot;&gt;tv&lt;/a&gt;, have your hands on that new &lt;a href=&quot;/title/computer&quot;&gt;computer&lt;/a&gt;, get to be live in person at &lt;a href=&quot;/title/The+Game&quot;&gt;The Game&lt;/a&gt;, find your true love, are an &lt;a href=&quot;/title/astronaut&quot;&gt;astronaut&lt;/a&gt; landing on &lt;a href=&quot;/title/Mars&quot;&gt;Mars&lt;/a&gt;, or (you fill in the blank), you will be entirely and utterly happy.&lt;/p&gt;

&lt;p&gt;It is annoying and stupid to watch people fall for this.&lt;/p&gt;

&lt;p&gt;My X would want something and would work on getting it. As soon as he'd get it, he'd say, &quot;See, the new motorcycle has &lt;a href=&quot;/title/The+sheer+fact+that+I%2527m+in+a+developing+country+should+make+me+a+better+person%252C+yes%253F&quot;&gt;made me a better person&lt;/a&gt;.&quot; At least he was funny.&lt;/p&gt;

&lt;p&gt;You &lt;a href=&quot;/title/continue&quot;&gt;continue&lt;/a&gt; to &lt;a href=&quot;/title/Wrongheaded&quot;&gt;think&lt;/a&gt; that you can pursue &lt;a href=&quot;/title/happiness&quot;&gt;happiness&lt;/a&gt;. Do you think you are going to&amp;hellip;</content>
</entry><entry><title>constructing a smile out of the loophole in misery (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/somyagrawal99/writeups/constructing+a+smile+out+of+the+loophole+in+misery"/><id>http://everything2.com/user/somyagrawal99/writeups/constructing+a+smile+out+of+the+loophole+in+misery</id><author><name>somyagrawal99</name><uri>http://everything2.com/user/somyagrawal99</uri></author><published>2009-11-23T17:13:30Z</published><updated>2009-11-23T17:13:30Z</updated>
<content type="html">&lt;p&gt;Chortling at the cruelty you &lt;a href=&quot;/title/bestow&quot;&gt;bestow&lt;/a&gt;&lt;br&gt;Putting together the missing pieces joy&lt;br&gt;Constructing a smile out of the &lt;a href=&quot;/title/loophole&quot;&gt;loophole&lt;/a&gt; in misery&lt;br&gt;I comprehend that's not how you operate&lt;br&gt;I know it's hard for you to smile&lt;br&gt;Harder for you to just be nice&lt;br&gt;I love you though I have no choice&lt;br&gt;No say in how my heart functions&lt;br&gt;I do not try to come in its way&lt;br&gt;Cause I know that the heart's stronger &lt;br&gt;The mind needs the heart but not vice versa&lt;br&gt;The heart works just fine &lt;br&gt;Without the brains logical &lt;a href=&quot;/title/insight&quot;&gt;insight&lt;/a&gt;&lt;br&gt;Just feeling all that comes it way&lt;br&gt;Judging feelings and not the person, pray&lt;br&gt;I'm sorry I didn't mean to preach&lt;br&gt;But not much harm did it do to thee&lt;br&gt;Maybe you still feel after you release &lt;br&gt;Your heart from the chains n leash&lt;br&gt;I want to look in your eyes just once &lt;br&gt;and see you not see your reflection for once&lt;br&gt;Look back into mine, feel your pupil melt&lt;br&gt;Warmth seeping till your heart&lt;br&gt;Breaking the ice cold shadow &lt;a href=&quot;/title/sheathe&quot;&gt;sheathe&lt;/a&gt;&lt;br&gt;Hope my smiles warm enough&lt;br&gt;To lighten your day, your life&lt;/p&gt;</content>
</entry><entry><title>artifacts from the boneyard (personal)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/cassparadox/writeups/artifacts+from+the+boneyard"/><id>http://everything2.com/user/cassparadox/writeups/artifacts+from+the+boneyard</id><author><name>cassparadox</name><uri>http://everything2.com/user/cassparadox</uri></author><published>2009-11-23T15:33:13Z</published><updated>2009-11-23T15:33:13Z</updated>
<content type="html">&lt;p&gt;When I was eighteen to twenty, I was involved in an &lt;a href=&quot;/title/Coffee+Cauldron&quot;&gt;informal coffee night&lt;/a&gt; in the Upper Midwest that led to acquainting myself with several of the local &lt;a href=&quot;/title/witches&quot;&gt;witches&lt;/a&gt;. Among these was a &lt;a href=&quot;/title/polyamory&quot;&gt;triad&lt;/a&gt; of older sorts who'd been around a fair bit. One of these women owned a sheep farm, and every so often, she would invite a few of the local students/ associates of the other woman in the triad up to help out with the farmwork.&lt;/p&gt;

&lt;p&gt;The &lt;a href=&quot;/title/boneyard&quot;&gt;boneyard&lt;/a&gt; on her farm was in two parts. The first was a concrete pit where many of the remains of butchered sheep were thrown. This was well away from the house and barn, in the woods out back of the area where the sheep were allowed to graze: visitors such as myself rarely went near it due to the near-constant stench of &lt;a href=&quot;/title/rotting&quot;&gt;decomposing flesh&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The second was a field to one side of the barn. This area was pockmarked with dead and dying trees, and a few hardier specimens. The land was riddled with bumps and swells, hollows and holes;&amp;hellip;</content>
</entry><entry><title>catwalk (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/The+Custodian/writeups/catwalk"/><id>http://everything2.com/user/The+Custodian/writeups/catwalk</id><author><name>The Custodian</name><uri>http://everything2.com/user/The Custodian</uri></author><published>2009-11-23T14:29:33Z</published><updated>2009-11-23T14:29:33Z</updated>
<content type="html">&lt;p&gt;
A &lt;em&gt;catwalk&lt;/em&gt; is originally a &lt;a href=&quot;/title/nautical&quot;&gt;nautical&lt;/a&gt; term.  It indicated an elevated walkway on a ship, one which required caution to properly traverse.  The user was obliged to walk 'like a cat' - very carefully and sure-footedly - in order to safely pass along it.  Modern shipbuilding refers to 'catwalks' as enclosed or covered elevated walkways - used either for &lt;a href=&quot;/title/bridge&quot;&gt;bridge&lt;/a&gt; access or, on modern ships with large amounts of equipment on deck, to carry their users over the cluttered deck area (&lt;a href=&quot;http://www.liberty-ship.com/html/glossary/glosbody.htm#W&quot;&gt;Liberty Ship terms&lt;/a&gt;).  Another nautical reference indicates that long, narrow 'finger &lt;a href=&quot;/title/pier&quot;&gt;pier&lt;/a&gt;s' are also &lt;a href=&quot;http://www.seatalk.info/cgi-bin/nautical-marine-sailing-dictionary/db.cgi?db=db&amp;uid=default&amp;FirstLetter=c&amp;sb=Term&amp;view_records=View+Records&amp;nh=3&quot;&gt;referred to as catwalks.&lt;/a&gt;
&lt;p&gt;
The term carried over to refer to similarly constructed passageways in various situations.  In a theater, a 'catwalk' is an elevated walkway behind and above the stage, where caution and&amp;hellip;</content>
</entry><entry><title>On Goose Shit (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ginmeda/writeups/On+Goose+Shit"/><id>http://everything2.com/user/ginmeda/writeups/On+Goose+Shit</id><author><name>ginmeda</name><uri>http://everything2.com/user/ginmeda</uri></author><published>2009-11-23T09:02:36Z</published><updated>2009-11-23T09:02:36Z</updated>
<content type="html">Keep your eye from &lt;a href=&quot;/title/heel&quot;&gt;heel&lt;/a&gt; to &lt;a href=&quot;/title/toe&quot;&gt;toe&lt;/a&gt;,&lt;br&gt;
the grass is high it's hard to know.&lt;br&gt;
Lump of dirt or dry goose &lt;a href=&quot;/title/loaf&quot;&gt;loaf&lt;/a&gt;?&lt;br&gt;
As &lt;a href=&quot;/title/spring&quot;&gt;spring&lt;/a&gt; thaws earth it may be both.&lt;br&gt;
&lt;p&gt;
So wise lovers in rest and play,&lt;br&gt;
stay on covers by ponds in &lt;a href=&quot;/title/May&quot;&gt;May&lt;/a&gt;.&lt;br&gt;
On soft &lt;a href=&quot;/title/grass&quot;&gt;grass&lt;/a&gt; beds fed on spring rain,&lt;br&gt;
with clouds in head and lumps decaying.&lt;br&gt;
&lt;p&gt;
For a goose's ass will always drop,&lt;br&gt;
munched up grass in slimy slops,&lt;br&gt;
dried in sun it becomes the &lt;a href=&quot;/title/dirt&quot;&gt;dirt&lt;/a&gt;,&lt;br&gt;
from the goose's bum so comes&lt;br&gt;
the &lt;a href=&quot;/title/earth&quot;&gt;earth&lt;/a&gt;. &lt;br&gt;
</content>
</entry><entry><title>Lake of Fire (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Pandeism+Fish/writeups/Lake+of+Fire"/><id>http://everything2.com/user/Pandeism+Fish/writeups/Lake+of+Fire</id><author><name>Pandeism Fish</name><uri>http://everything2.com/user/Pandeism Fish</uri></author><published>2009-11-23T08:31:51Z</published><updated>2009-11-23T08:31:51Z</updated>
<content type="html">&lt;i&gt;Lake of Fire&lt;/i&gt; is an &lt;a href=&quot;/title/American&quot;&gt;American&lt;/a&gt; &lt;a href=&quot;/title/original&quot;&gt;original&lt;/a&gt;, first &lt;a href=&quot;/title/recording&quot;&gt;recorded&lt;/a&gt; by the &lt;a href=&quot;/title/Meat+Puppets&quot;&gt;Meat Puppets&lt;/a&gt; in 1983, on their &lt;a href=&quot;/title/second&quot;&gt;second&lt;/a&gt; &lt;a href=&quot;/title/eponymous&quot;&gt;eponymous&lt;/a&gt; &lt;a href=&quot;/title/album&quot;&gt;album&lt;/a&gt;. More recently, it has been heard on the 1994 &lt;a href=&quot;/title/Nirvana&quot;&gt;Nirvana&lt;/a&gt; &lt;a href=&quot;/title/cover&quot;&gt;cover&lt;/a&gt;, on &lt;i&gt;&lt;a href=&quot;/title/Nirvana%253A+Unplugged&quot;&gt;Nirvana: Unplugged&lt;/a&gt;&lt;/i&gt;.&lt;br&gt;&lt;br&gt;

The &lt;a href=&quot;/title/song&quot;&gt;song&lt;/a&gt; itself is a slow-rolling &lt;a href=&quot;/title/commentary&quot;&gt;commentary&lt;/a&gt; of sorts on the &lt;a href=&quot;/title/Biblical&quot;&gt;Biblical&lt;/a&gt; &lt;a href=&quot;/title/reference&quot;&gt;reference&lt;/a&gt; to a &lt;a href=&quot;/title/literalism&quot;&gt;literal&lt;/a&gt; &quot;Lake of Fire&quot; in &lt;a href=&quot;/title/Hell&quot;&gt;Hell&lt;/a&gt;. It is a fairly short piece with some neat jangly flashes, some &lt;a href=&quot;/title/version&quot;&gt;version&lt;/a&gt;s running under two minutes. Even within that short play it consists of only two true &lt;a href=&quot;/title/verses&quot;&gt;verses&lt;/a&gt;, interspersed between three repetitions of the &lt;a href=&quot;/title/chorus&quot;&gt;chorus&lt;/a&gt;:&lt;br&gt;&lt;br&gt;

&lt;em&gt;Where do &lt;a href=&quot;/title/bad&quot;&gt;bad&lt;/a&gt; &lt;a href=&quot;/title/folks&quot;&gt;folks&lt;/a&gt; go when they &lt;a href=&quot;/title/death&quot;&gt;die&lt;/a&gt;?&lt;br&gt;
They don't go to &lt;a href=&quot;/title/Heaven&quot;&gt;Heaven&lt;/a&gt; where the &lt;a href=&quot;/title/angels&quot;&gt;angels&lt;/a&gt; &lt;a href=&quot;/title/fly&quot;&gt;fly&lt;/a&gt;&lt;br&gt;
They go to the &lt;a href=&quot;/title/Lake&quot;&gt;Lake&lt;/a&gt; of &lt;a href=&quot;/title/Fire&quot;&gt;Fire&lt;/a&gt; and &lt;a href=&quot;/title/fry&quot;&gt;fry&lt;/a&gt;&lt;br&gt;
(Won't) see them again 'till the &lt;a href=&quot;/title/fourth+of+July&quot;&gt;fourth of July&lt;/a&gt;&lt;/em&gt;&lt;br&gt;&lt;br&gt;

The description of the &lt;a href=&quot;/title/fate&quot;&gt;fate&lt;/a&gt;s of &quot;bad folks&quot; appears to be &lt;a href=&quot;/title/tongue+in+cheek&quot;&gt;tongue in cheek&lt;/a&gt; (not surprising where the most significant cover shares album space with a cover of &lt;em&gt;&lt;/em&gt;&amp;hellip;</content>
</entry><entry><title>beanbag (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Sc0ut/writeups/beanbag"/><id>http://everything2.com/user/Sc0ut/writeups/beanbag</id><author><name>Sc0ut</name><uri>http://everything2.com/user/Sc0ut</uri></author><published>2009-11-23T08:08:30Z</published><updated>2009-11-23T08:08:30Z</updated>
<content type="html">&lt;p&gt;/me has a sore back&lt;br&gt;Twenty minutes later&lt;br&gt;He sits up in disgust&lt;br&gt;And launches his body&lt;br&gt;Into a &lt;a href=&quot;/title/beanbag&quot;&gt;morphous blob&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;As I'm sinking into&lt;br&gt;&lt;a href=&quot;/title/Her+arms+around+me&quot;&gt;The familiar rustle&lt;/a&gt;&lt;br&gt;Of polystyrene balls&lt;br&gt;I can't help but wonder&lt;br&gt;What is it about beds&lt;br&gt;That makes beanbags better?&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/I%2527m+just+so+tired+of+waking+up+all+alone&quot;&gt;After sleeping in bed&lt;/a&gt;&lt;br&gt;I never feel refreshed&lt;br&gt;But as I close my eyes&lt;br&gt;And know I can now rest&lt;/p&gt;</content>
</entry><entry><title>wand of nothing (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ushdfgakjasgh/writeups/wand+of+nothing"/><id>http://everything2.com/user/ushdfgakjasgh/writeups/wand+of+nothing</id><author><name>ushdfgakjasgh</name><uri>http://everything2.com/user/ushdfgakjasgh</uri></author><published>2009-11-23T06:41:21Z</published><updated>2009-11-23T06:41:21Z</updated>
<content type="html">&lt;p&gt;out &lt;a href=&quot;/title/scroll+of+identify&quot;&gt;in&lt;/a&gt; the snowchairs, the lawn
&lt;br&gt;a dark green and petulant, rewinding
&lt;br&gt;other reasons and the premonitions
&lt;br&gt;how convenient,
&lt;br&gt;standing at 12:&lt;a href=&quot;/title/scroll+of+genocide&quot;&gt;30&lt;/a&gt; from the
&lt;br&gt;platform and the yellow paint; soon there
&lt;br&gt;came a noise, window frost &lt;a href=&quot;/title/floating+eye&quot;&gt;out&lt;/a&gt; in the boston
&lt;br&gt;irrelevance and the sirens were
&lt;br&gt;howling.  The girl with
&lt;br&gt;the forest in her iris opens
&lt;br&gt;in the cathedral, and said 
&lt;br&gt;we are all prophets, but she is
&lt;br&gt;exaggerating&lt;/p&gt;</content>
</entry>
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