Babylon 5 Season 3, Episode 20.

Primary Plot: Londo manipulates G'Kar and Vir in order to kill Lord Refa and gain favor in the Centauri Royal Court.

Secondary Plot: Some of Brother Theo's religious colleagues visit the station.

Tertiary Plot: Sheridan and Delenn discover the Shadows' true strategy.


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This episode demonstrates the particular genius of J. Michael Straczynski, the creator of Babylon 5.

The primary, secondary and tertiary plots come to a simultaneous climax in the revival service that Brother Theo's colleague hold in the Babylon 5 chapel.

To the singing of the gospel song, from which the episode draws its name, the scene cross-cuts to Lord Refa's killing at the hands of G'Kar and the Narns. The slow motion chase, and killing of Refa--the butcher of Narn--contrasted with the principle characters singing in revival is quite striking.

It is also the breaking of John Sheridan's crankiness, which is what allows him to share his burden with Delenn; together, they solve the Shadows true strategy.

J. Michael Straczynski often portrays these many levelled plots, both in individual episodes, and over seasons, and the entire plot arc. He has said that the whole idea came to him in the shower one day.

The gospel song mentioned in this node, and sung in the episode, is entitled "No Hiding Place Down Here". It was originally written and performed by The Original Carter Family, a country music and gospel group from the 1930s whose traditional bluegrass style influenced artists such as Bob Dylan and Woody Guthrie.

The full lyrics for the song are as follows; note that the refrains are significantly different from the song as broadcast, though the chorus remains the same. As with most music of this nature, the song has been appropriated and modified to suit various purposes:

Sister Mary she wears a golden chain
Sister Mary she wears a golden chain
Sister Mary wears the golden chain
There's every link in Jesus' name
There's no hiding place down here

There's no hiding place down here
There's no hiding place down here
Well, I run to the rock just to hide my face
And the rocks cried out, no hiding place
There's no hiding place down here


I'll pitch my tent on the old campground
I'll pitch my tent on the old campground
I'll pitch my tent on the old campground
I'll give Satan one more round
There's no hiding place down here

There's no hiding place down here
There's no hiding place down here
Well, I run to the rock just to hide my face
And the rocks cried out, no hiding place
There's no hiding place down here


Oh, the Devil wears a hypocrite's shoe
The Devil wears a hypocrite's shoe
The Devil wears a hypocrite's shoe
And if you don't watch out he'll slip it on you
There's no hiding place down here

There's no hiding place down here
There's no hiding place down here
Well, I run to the rock just to hide my face
And the rocks cried out, no hiding place
There's no hiding place down here

Chaos.

Coloured graphics whirl across my screen far too quickly for me to assimilate. Attack plans and codenames and screeches flood my ears. Mad acceleration pulls me in every direction. Are we dead? Are we going to be?

"Sam, this is Tyro," says an unfamiliar, measured voice, relegating all the other chatter to the background. "Don't panic. Everything is under control. Sorry for the bumpy ride, but you'll be thanking us later."

"Somebody just shot our wormhole to pieces!"

With infinite calm: "Yes. High-energy railgun slugs from somewhere behind the Moon. A squad of mechs is currently in pursuit, but it'll be over half an hour before they arrive. Fortunately, transit time for a slug at that speed is less than two subjective milliseconds, meaning they basically cannot be steered, so as long as we keep moving unpredictably we can keep you alive. We have a contingency plan regarding the destroyed wormhole. Ed began construction on a third one after finishing the second."

"A third wormhole?"

"A spare. It seemed a prudent move. Ed's given me access to its liftweave control circuits which means I can steer and control it much more skillfully than the mechs. Currently it's a growing two-kilometre tower over Jacksonville. In a few seconds' time I'm going to drop the entire thing vertically through the green ring. That will take less than thirty seconds. After that I'll use the liftweave in the wormhole to loop it into position and connect it up. That part should also take less than thirty seconds."

I glance at the clock. Time is flying. The constantly changing direction of flight is seriously making me ill; I try to tell myself the alternative is worse. "When are we planning to do all this? We have barely two minutes."

"We want to keep it as small a target as possible for as short a time as possible to minimise the risk - that means we begin the feed at seventy seconds. Even so there is still a risk."

Tyro's voice fades out and mech chatter fades back in. It sounds like everybody is simultaneously having his own conversation with Tyro.

"Sam?" says Ed in my ear.

"Still here," I gurgle, barely able to avoid throwing up.

"I'm reactivating the Ed Rocks."

"Why?"

"You know why," he says, and signs off as suddenly as he signed on.

Grim fear grips me. I see an instantaneous flash of a handful of equally undesirable possible futures. Ed is planning for damage control. Ed "never beaten" MacPherson.

"Okay, everybody, this is it," says Tyro. I notice dimly that my mech has once again taken the red ring off its finger - then the third and final wormhole explodes out of it, slowly at first but accelerating under unguessable gravitational forces, as my mech jolts and whirls safely away from it.

There's a ping as an unidentified object springs into existence in nearby space. It's the enemy, though the fifteen-millisecond battle is long over by the time I figure that out. I don't get a chance to see what the enemy ship looks like before it's blasted to shreds from a dozen different directions by the remaining defending mechs. But it apparently has enough time to loose a single shot.

"We have a confirmed kill," reports Tyro as my mech ceases to manoeuvre madly. "The enemy has been neutralised. However the red ring has been destroyed, leaving us with only three hundred metres of wormhole tubing. I'm forming what we have into as big a ring as possible. Ed, is there any way to expand the wormhole diameter wider than the rim itself?"

Ed responds with a string of syllables which would be incomprehensible even if I could hear them clearly. "But if that works it'll be a miracle," he adds. It sounds like there are people around him. He could be anywhere.

The coil of incomplete wormhole ahead of me flexes and writhes and curls into a circle as it floats towards the white line which marks the predicted centre of the asteroid's path. From my vantage point it looks like a pitiful effort. Tyro announces a test power-up. My mech's sensors pick up the building energy inside the wormhole. There's a flash of ultra-violet. Then it falls apart, split finely into two separate rings, both also rapidly fragmenting into pieces.

I've seen too many movies to give up now. I can hardly hear myself shouting at Ed for ideas, guidance, inspiration. It's some time before I realise that what he's shouting back at me is "There's no time, Sam, we're out of time! For heaven's sake, look down!"

"We still have—" and I glance at the clock again just at the instant it ticks to zero.

The noise of the asteroid hammering past me - seventeen hundred metres wide, mere kilometres away from me but still moving far too fast to even be seen - is deafening. I automatically rotate my mech's field of vision to follow its trail downwards, expecting to see a devastatingly bright light and an expanding ring of devastation.

Several seconds elapse.

"I don't see anything."


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